In the early days of the Covid-19 pandemic, I was living with my parents, a roommate, and my brother in a small home in south Florida while recovering from a series of traumatic medical events. Time seemed suspended, linear time disrupted by a loss of routine and a sense of fracturing from stress. I turned to photography to create narrative within an otherwise formless time. Haircuts, medication regimens, the changing light throughout the day, all became new markers of time.
Alison Kafer speaks of Crip Time as a way to understand the ways that disabled and chronically ill bodies move through time, how differences in perceptions of time, energy levels, access to care, medical treatments, and more, create a new way of experiencing the flow of time. “The Countless Moments that Make up Waiting” exists in this crip time, in a suspended space between diagnosis and care, between injury and healing, between staying and leaving.